I am growing more and more fond of the look of an inked subject with the original pencil lines still intact. I think it's sort of a training wheels thing, but also a stylistic thing. My pencil lines flow freely, but when it comes down to the white-knuckled, where's-some-diazepam, unforgiving inks, the resulting art is often vastly different, and vastly more ugly. I like the depth that remains in a blocked-out ghost figure.
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